arXiv:2604.20221v1 Announce Type: new Abstract: This study applies symbolic time series analysis and Markov modeling to explore the phonological structure of Evgenij Onegin-as captured through a graphemic vowel/consonant (V/C) encoding-and one contemporary Italian translation. Using a binary encoding inspired by Markov's original scheme, we construct minimalist probabilistic models that capture both local V/C dependencies and large-scale sequential patterns. A compact four-state Markov chain is shown to be descriptively accurate and generative, reproducing key features of the original sequences such as autocorrelation and memory depth. All findings are exploratory in nature and aim to highlight structural regularities while suggesting hypotheses about underlying narrative dynamics. The analysis reveals a marked asymmetry between the Russian and Italian texts: the original exhibits a gradual decline in memory depth, whereas the translation maintains a more uniform profile. To further investigate this divergence, we introduce phonological probes-short symbolic patterns that link surface structure to narrative-relevant cues. Tracked across the unfolding text, these probes reveal subtle connections between graphemic form and thematic development, particularly in the Russian original. By revisiting Markov's original proposal of applying symbolic analysis to a literary text and pairing it with contemporary tools from computational statistics and data science, this study shows that even minimalist Markov models can support exploratory analysis of complex poetic material. When complemented by a coarse layer of linguistic annotation, such models provide a general framework for comparative poetics and demonstrate that stylized structural patterns remain accessible through simple representations grounded in linguistic form.